{"title":"Stephen","description":"","products":[{"product_id":"kathryn-williams-mystery-park","title":"Kathryn Williams - Mystery Park","description":"\u003cp\u003eA deeply personal, intimate collection, ‘Mystery Park’ marks 27 years of making music. It’s a reflective, textured work shaped by time’s shifting tides. “Kathryn Williams has never made a bad record” Clash Magazine Known for her delicate, moving voice and poetic songwriting, Williams rose to prominence in 2000 with ‘Little Black Numbers’, the self-released album that earned her a Mercury Prize nomination and became a touchstone for a new generation of British folk. With ‘Mystery Park’, Williams returns to the sparse and affecting sonic palette that marked her early releases ‘Old Low Light’ and ‘Relations’. These are songs made in the quiet margins of motherhood and memory, written over time, and recorded in close creative communion with trusted collaborators. “This is the most personal record I’ve made,” says Williams. “The artwork is my own painting, based on the willow pattern from my grandmother’s tea sets. Each part of it ties into the songs - a map of memories.”\u003c\/p\u003e","brand":"OLI","offers":[{"title":"Limited Indies Only Pink LP","offer_id":53021525279062,"sku":"MRM-01754","price":30.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53021526196566,"sku":"MRM-01755","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/fb8a6dcf506b1e83ae2c6a0690d1b01f_1d27dbf6-1350-4441-a59b-e84d103fa320.jpg?v=1775195675"},{"product_id":"kudo-reiko-tori-kudo-tangerine","title":"Reiko\/Tori Kudo - Tangerine","description":"\u003cdiv class=\"column-375 relative stack-large\"\u003e\n\u003caside class=\"large-screen-content large semi-bold\"\u003e\n\u003cp\u003eTangerine is a gorgeous late-period set culled from three live performances by the enigmatic, brilliant Kudos.\u003c\/p\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eReiko and Tori Kudo have been at the epicentre of a wave of Japanese music with the emphasis on originality, intimacy, odd melodicism and chance-taking. It sometimes feels like their influence is everywhere.\u003c\/p\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp class=\"p1\"\u003eRecorded at Village Hototoguiss, Japan, during autumn, winter and spring 2011 and 2012, the makeup of Tangerine is the culmination of over thirty years of experimentation, improvisation and intimacy between Reiko Kudo and Tori Kudo. Beginning their collaborative musical activities in the late 1970s and documenting their movements as Noise, it would be an earlier Les Rallizes Dénudés gig that would prove influential in shaping the duo’s lifelong impulse for collaboration and free play – it was, after all, where they first met. Over the course of a decade, they became associated with Hideo Ikeezumi’s seminal PSF (Psychedelic Speed Freaks) scene, Tori playing with the likes of Ché-SHIZU and Fushitsusha and self-releasing cassettes before forming the first incarnation of Maher Shalal Hash Baz.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMaher Shalal Hash Baz, Tori’s storied musical ensemble of an ever-rotating cast of contributors, would perhaps find difficulty with Tori if called his own. First surfacing in 1985 on a Shinichi Satoh-released cassette compilation, the group would spend the next thirty years playing live and recording, their sound finding solace with labels as far-reaching as Geographic and K. Tori would welcome local amateur and professional musicians, neighbourhood children, friends and passersby on stage, while in the studio, the likes of Ikuro Takahashi (LSD March) and Takashi Ueno (Tenniscoats) have joined him and Reiko on seminal sides such as Return Visit To Rock Mass and Blues Du Jour.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/aside\u003e\n\u003c\/div\u003e","brand":"A COLOURFUL STORM","offers":[{"title":"Vinyl LP","offer_id":53021534552406,"sku":"MRM-01827","price":30.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/a0776340230_10.jpg?v=1776097611"},{"product_id":"maher-shalal-hash-baz-blues-du-jour","title":"Maher Shalal Hash Baz - Blues Du Jour","description":"\u003cp\u003eClear vinyl (2nd edition).\u003c\/p\u003e","brand":"GEOGRAPHIC MUSIC\/ DOMINO","offers":[{"title":"Vinyl LP","offer_id":53021553459542,"sku":"MRM-02006","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/59f6b1b49c060bb7fed690e008d09970.png?v=1776360487"},{"product_id":"movietone-movietone-2023-reissue","title":"Movietone - Movietone (2023 Reissue)","description":"\u003cp\u003eMovietone was the cumulation of a series of events, explorations, and discoveries, starting at secondary school – the group’s core membership of Kate Wright, Rachel Brook, Matt Elliott and Matt Jones met at Cotham School in Bristol. As for many other groups, their early years were all about experimenting, and finding ways to ‘make do’, a DIY sensibility that would inform Movietone through their decade-long lifespan. From formative rehearsals in a shed in the garden of Brook’s family home, to recording early material to four-track in Redland Library, and on into the Whitehouse and Mr Grin’s studio sessions for their debut album, Movietone’s music fell together in a creatively unpredictable, yet conceptually rigorous manner.\u003c\/p\u003e\n\u003cp\u003eBy the time they released Movietone, they’d found a home with Bristol’s Planet, run by author Richard King and James Webster, who had both released their first two singles, “She Smiled Mandarine Like” and “Mono Valley”. There was other music happening around them in Bristol, too, from the Jones brothers’ avant-rock outfit Crescent (who were Movietone’s closest conspirators), through Elliott’s jungle\/electronica project Third Eye Foundation, and Brook and Elliott’s membership of Flying Saucer Attack. A closely knit community, Movietone are the centre of this nestling architecture of groups.\u003c\/p\u003e\n\u003cp\u003eThe vision in the music, mostly, belongs to Wright, but Movietone ran in democratic creative consort. Listening back to Movietone, you can hear this democracy in action through the wildness of the music, which is balanced by the poetics of Wright’s lyrics and melodies. Full of half-captured memories and entangled abstractions, there’s an elliptical, ruminative quality to much of the writing here that shows the deep influence of the Beat Generation writers, along with a twilight environment captured in the songs that’s pure third-album Velvets, Galaxie 500, early Tindersticks, Codeine. Unpredictable interventions – the crashing glass in “Mono Valley”, the sudden explosions of “Orange Zero” – point towards the noise blowouts of My Bloody Valentine, the unpredictability of Sonic Youth; Wright’s understated vocal cadence suggest a deep, embodied understanding of John Cage’s Indeterminacy.\u003c\/p\u003e\n\u003cdiv class=\"columns indent-medium\"\u003e\n\u003cdiv class=\"column-50 stack-large\"\u003e\n\u003cdiv class=\"stack-medium\"\u003e\n\u003cp\u003eMovietone would go on to make three fantastic albums for Domino – Night \u0026amp; Day (1997), The Blossom Filled Streets (2000) and The Sand \u0026amp; The Stars (2003) – and their Peel Sessions were released earlier this year on Textile. Still held in high regard by artists like Steven R. Smith, and The Pastels, whose Stephen McRobbie once described them as “one of the great unknown English groups,” it’s an absolute thrill to listen to Movietone anew – still inspired, still seductive, still magic, still mysterious.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"WORLD OF ECHO","offers":[{"title":"Expanded 2LP","offer_id":53021578395990,"sku":"MRM-02241","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/a3117589400_10.jpg?v=1776427672"},{"product_id":"to-rococo-rot-john-peel-sessions-the","title":"To Rococo Rot - John Peel Sessions The","description":"\u003cp\u003eWe’re extremely proud to partner with To Rococo Rot and Bureau B on this dazzling collection of their BBC Sessions for John Peel.\u003c\/p\u003e\n\u003cp\u003eTo Rococo Rot are a group that have held sway over me for 25 years – I’m as fascinated by the them now as I was on first listen. The first time I heard them was in 1997 just outside Edinburgh. We (The Pastels) were playing a show in London the next night and it was a late set-off as our guitarist, Jonathan, was working in the university and we’d gone through to pick him up. I remember we also stopped for a couple of bottles of wine to get the journey off to a good start and as we settled back in some style we started to listen to the John Peel show. To Rococo Rot were in session and we all thought it perfect late night travel music.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSoon after, I picked up their first two records and started the inevitable\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eprocess of information gathering that comes with liking something new.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIt was the last days of the pre-internet world for us, we didn’t own a computer and their story took a while for us to gather together, allowing an extended and enjoyable amount of speculation which we’ve carried on through the years. The group featured two brothers from Berlin, Ronald and Robert Lippok who had grown up in East Germany where access to instruments was not always possible and where tapes from the John Peel show were traded around between friends. Stefan Schneider, from Düsseldorf was also a member of Kreidler, who had joined them to make music for a sound installation \/ lithograph exhibition which became their first record.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eTo Rococo Rot’s music has always had a sense of belonging to different worlds, it’s hard to know where they fit in. They never seem like one thing, instead they move fluently in and out of genres, from place to place. Some of the nice sounds, the attention to detail suggests an affinity with minimalist techno – you can easily play a Maurizio or Monolake side then move on to To Rococo Rot for a bit more action or colour, or melody. To Rococo Rot have an extremely graceful way with melody that forges a connection with an earlier generation of electronic musicians like Roedelius or Ralf and Florian. But there’s noise elements too, concréte sounds, and something punk or make-do when it comes to equipment and other aspects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eTo Rococo Rot’s work for the BBC not only complements their studio albums – it presents something new, something slightly more documentary, slightly more in the moment. It’s a mixture of unreleased songs, radically different versions and a cover \/ remix of Thomson Colour by The Pastels – it was always quite the thrill when they would open their set with this. Here the version is live in Liverpool in front of a privileged audience that comprises only John Peel and his family. It is proceeded by a very good discussion between Peel and Robert Lippok on the correct way to pronounce To Rococo Rot. Across the whole set the group sound like the expert chance takers they’ve always been, making music that always sounds as if it can change course wherever there’s a beautiful detour.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNot only do To Rococo Rot still sound very modern, they still sound like the future. Their music tells us that we are all European, we are all present, we can construct something together. In everything they’ve ever done they’ve seemed to know when to change, when to stay the same. They’ve just announced that they have plans to work together – they’ve been on quite a long hiatus. Can they sound even newer than this? I wouldn’t be surprised. Absolutely exceptional.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eStephen Pastel, Glasgow 2022\u003c\/p\u003e","brand":"BUREAU B","offers":[{"title":"Vinyl LP","offer_id":53022348607830,"sku":"MRM-03620","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/a3551044727_10.jpg?v=1775751205"},{"product_id":"distant-call-collected-demos-2000-2006","title":"Distant Call - Collected Demos 2000 - 2006","description":"","brand":"WARP","offers":[{"title":"Limited Black LP","offer_id":53064683454806,"sku":"MRM-00509","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/9be90f801955e9bee510d41828ac1c64.jpg?v=1775654616"},{"product_id":"pictureframes-two-eps","title":"Pictureframes - Two EPs","description":"\u003cp\u003e\u003cspan\u003eW\u003c\/span\u003ee’re really happy to announce our album of the month for April. It’s by Pictureframes and collects their two eps, which were digital only releases, into one beautiful cd only edition. There are only 60 of these in the world.\u003c\/p\u003e\n\u003cp\u003ePictureframes seem to slow time down tracing their own mesmeric patterns across rough hued landscapes – they’re odd, melodic and light of touch. If I had to describe it I’d say it’s absolutely gorgeous outsider folk music connecting in different ways to Molly Linen, Syd Barrett, Crescent, Tony, Caro \u0026amp; John.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBased in Bristol, so far they’ve had a lot of support from Gideon Coe at BBC6 and are starting to pick up shows elsewhere. The group features Molly Kennedy-Blundell, Caio Wheelhouse, James Bonney, Noah Radley and Dan Weltman. So looking forward to the next installment.\u003c\/p\u003e\n\u003cp\u003eSP\u003c\/p\u003e","brand":"Maes Knoll","offers":[{"title":"CD","offer_id":53066090250582,"sku":"MRM-04188","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/8991161823e92f6abe9055ac5ed9fe86.png?v=1775663591"},{"product_id":"creeping-bent-a-leap-into-the-void-1","title":"Creeping Bent: A Leap Into The Void","description":"\u003cp\u003eLet’s hear it for the underdog.\u003c\/p\u003e\n\u003cp\u003eA Leap Into The Void is the ballad of The Creeping Bent Organisation, a label established in Glasgow in 1994 specialising in music, art, design and performance. Creeping Bent founder and conceptualist Douglas MacIntyre tells the story from his perspective, highlighting the trials and tribulations of successfully operating an independent business over a 30 year period. Featuring apperances from Fire Engines, Vic Godard, Jazzateers and The Secret Goldfish to name a few, this book chronologically details the creativity and vibrancy of Scotland’s underground cultural pioneers.\u003c\/p\u003e\n\u003cp\u003eA Leap Into The Void modestly shows off the many great things that Creeping Bent got up to in the course of its often brilliant history. Bravo guys!\u003c\/p\u003e","brand":"Creeping Bent","offers":[{"title":"Signed Book","offer_id":53071447621974,"sku":"MRM-04216","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/fc39fc62a9b3077aad6b897ed483ad1e.png?v=1775744883"},{"product_id":"various-artists-wednesday-morning-6am","title":"VARIOUS ARTISTS - WEDNESDAY MORNING 6AM","description":"\u003cp\u003e\u003cspan\u003eBob Stanley’s \u003c\/span\u003e\u003cem\u003eWednesday Morning 6am\u003c\/em\u003e\u003cspan\u003e literally turns back the clocks.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn the late 70s and early 80s, there was a parallel world of hits that people only heard when their clock radio went off. BBC Radio 2 had little time for the Top 40 music played by Radio 1 and beamed into living rooms by Top Of The Pops. Radio 2 effectively created a chart of its own playing singles or album tracks that their DJs enjoyed and wanted to share with their listeners. These tracks were given multiple plays on rotation and became earworms for millions of listeners.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWednesday Morning 6am\u003c\/em\u003e\u003cspan\u003e is the warming soundtrack of eating breakfast or driving to school or to work in the cold and dark early hours to the sound of Art Garfunkel’s ‘99 Miles From LA’, Dolly Parton’s ‘The Bargain Store’, Hoyt Axton’s ‘Evangelina’, Paul Simon’s ‘Train In The Distance’ and Air Supply’s ‘Lost In Love’.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOther featured artists include Gilbert O’Sullivan, Crystal Gayle, Carly Simon, John Denver, Lou Rawls, Lindisfarne, Bob James, Stella Parton and Dionne Warwick.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ace Recordings","offers":[{"title":"2LP Vinyl","offer_id":53114775109974,"sku":"MRM-04656","price":28.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53114775142742,"sku":"MRM-04657","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/3f78635b2f463678fd6db79e2a3bcabe.jpg?v=1776184285"},{"product_id":"coals-to-newcastle","title":"Coals to Newcastle","description":"\u003cp\u003eAbsolutely everything Orange Juice recorded, assembled expertly by Kris Gillespie of Domino Records. Sparkling remastering and attention to detail, it received Mojo’s catalogue re-issue award for 2010, the Domino edition sold out pretty quickly and so we’ve repressed.\u003c\/p\u003e\n\u003cp\u003eSix CDs, one DVD, original sleeve artwork, rare photos and mementos, an essay by SimonmGoddard, all in a neat book and box.\u003c\/p\u003e\n\u003cp\u003eThis review, with thanks to Paul Lester, puts it better than we can:\u003c\/p\u003e\n\u003cp\u003eIt is impossible to overstate the importance of Orange Juice, and even though part of their project was to puncture the pomp and seriousness of the rock canon, they must now be regarded as an enormously significant band which proved pivotal not once but twice. First, in providing a bridge between dour post-punk and the shiny early-80s “new pop” of ABC, Heaven 17 et al; and then in pointing a way out of that funky cul de sac by re-embracing guitar music, just as The Smiths were asserting their faith in classic rock principles at the height of new romantic synthmania.\u003c\/p\u003e\n\u003cp\u003eIn many ways, Orange Juice – with that deceptively innocuous name, so evocative of their aesthetic – were superior to The Smiths, more multifaceted and complex (they hailed their lack of worldliness but were nothing if not knowing). And their frontman Edwyn Collins was like Morrissey only with a more advanced sense of irony and a better, more varied record collection. Morrissey’s raffish wit and arch olde-worlde language were already in place on those early Orange Juice singles for Postcard – where Moz sang Heaven Knows I’m Miserable Now, Edwyn exclaimed, “Ye gods, I’m simply thrilled, honey” – while Johnny Marr’s Byrds fetish was pre-empted by the charged jangle of Blue Boy et al.\u003c\/p\u003e\n\u003cp\u003eOn this massive anthology – comprising 130 tracks, including dozens of excellent unreleased tracks and previously unavailable material, plus a DVD of videos and TV\/live performances – you get a sense of the breadth of Orange Juice’s remit during their six-year career. Disc one begins with the (ironically) naive exuberance of Falling and Laughing from early 1980, when Collins and company were making radical claims to being equal parts Velvet Underground and Chic, but it’s not till Poor Old Soul that the guitars become funkily rhythmic. You have to wait until the end of disc two and the bonus cuts tacked on after the You Can’t Hide Your Love Forever album to see their full transformation from indie guitar band to the electro-pop hit-makers of Rip It Up, their top 10 single from 1983.\u003c\/p\u003e\n\u003cp\u003eTogether, these six CDs tell a story, and by the end of each you get a glimpse of the next chapter (rockabilly energy on disc four’s Texas Fever; enervated rock-soul by disc five’s final self-titled affair). Meanwhile, the DVD shows how great OJ looked, whether in their early days, when Edwyn sported his Roger McGuinn fringe, or during their brief chart phase. A timely reminder of all that rings true.\u003c\/p\u003e\n\u003cp\u003e–Paul Lester\u003c\/p\u003e","brand":"AED","offers":[{"title":"6 CDBoxset","offer_id":53145849659734,"sku":"MRM-04701","price":49.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/7471c4d6ef1a9b7253e1e446b59faa20.png?v=1776440264"},{"product_id":"rip-it-up","title":"Rip It Up","description":"\u003cp\u003eOJ set out to make a different kind of music which combined Edwyn's soul chops with an eccentric 80s production style...\u003c\/p\u003e\n\u003cp\u003eOrange Juice’s second album. Domino 2012 re-master.\u003c\/p\u003e\n\u003cp\u003eAfter jettisoning James Kirk and Steven Daly, OJ set out to make a different kind of music which combined Edwyn’s soul chops with an eccentric 80s production style which came up trumps on hit singles, Rip It Up and I Can’t Help Myself.\u003c\/p\u003e","brand":"AED","offers":[{"title":"Vinyl LP","offer_id":53356275761494,"sku":"MRM-05035","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/55433c0eac151d6c2e41e9646b71bd2c.png?v=1777562752"},{"product_id":"hairband","title":"Hairband","description":"\u003cp\u003eBursting forth in a riot of colour, Hairband are a new five piece group from Glasgow who, on their debut recordings, have distilled the joy and bittersweet trials of youth into 5 songs that bend to no rules but the ones they make up as they go along. Deeply immersed in their local DIY scene and featuring members of groups Spinning Coin, Breakfast Muff, Lush Purr and Kaputt, Hairband’s take on pop music is their own, so natural yet odd-shaped, carefree but meticulously constructed that it feels like no one has quite made music quite like this before, celebratory and joyful. Recorded in Glasgow’s famed Green Door Studios, and played in the moment, Hairband are life-giving.\u003c\/p\u003e\n\u003cp\u003eHairband formed in 2016, by Glasgow DIY standards that makes them veterans. Their instinctively intricate triple-guitar lines deftly weave counterpoint and melodies which interact with Sephi Lock and Emma Smith’s elastic, breathing rhythm section. The music here presents as streamlined pop but bubbling beneath the hooks is audacious instrumental work. Indeed, the tension at the heart of Hairband’s music is a group who can play without it sounding like a big deal. Is this a Glasgow thing, because Orange Juice were a bit like that, Sacred Paws too. Hairband even try on a little Marquee Moon-era Television on Sassy Moon and make it fit like the best charity shop find ever.\u003c\/p\u003e\n\u003cp\u003eThey’re a band with five songwriters, each distinct with a uniqueness barely containable except within Hairband. The synergy of the group often means that individual personalities are immersed in the whole, so when Rachel Taylor’s voice is isolated at the end of Flying – a sweet but sure ode to gravity, about trying to stay grounded when the world is spinning - it’s all the more affecting. The play of light and shade throughout the record is deftly handled: opener Bee has an intricate rhythmic accompaniment, sounding a little like Life Without Buildings’ jittery polyrhythms married to a sweet ensemble vocal performance topped off with melodically nourishing guitar licks. It’s a formula repeated on Bubble Sword, with guitarists Rowan Wright and Simone Wilson’s twin chords criss crossing across the stereo-field before a straight down the line, loaded rock riff skewers the prettiness.\u003c\/p\u003e\n\u003cp\u003eOn the flip side, Hairband’s true instrumental prowess is on 10. Sassy Moon rolls out with the confidence of a band completely in tune with each other, Wilson’s vocal dancing across the treetops, Morricone-esque guitar slashes providing vivid colour. With Lock and Smith’s tight-but-loose rhythm loping purposefully and the group backing vocals washing over, suddenly the line “How do you feel? How do you feel… about the moon?” feels like the most important question you’ll ever be asked. White Teeth sums up every high on this epic self-titled debut. A stomping rhythm shrouded in soft melancholy emboldened by the band’s glorious sense of harmony. It could be a critique of beauty norms, a ghostly memory of an ideal unattainable but ultimately when the band are locked in like this it’s a source of pure joy, it goes beyond subject matter into wordless communication. Hairband is an ode to doing things differently, true, to standing together with your friends, to having respect for what’s gone before but also to carving your own niche.\u003c\/p\u003e\n\u003cp\u003eIt’s simple, it’s not so simple, as Chic say, “celebrate good times”, Hairband seem to say, celebrate the times.\u003c\/p\u003e\n\u003cp\u003eSP\u003c\/p\u003e","brand":"Monorail Music","offers":[{"title":"Vinyl LP","offer_id":53531227390294,"sku":"MRM-05136","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/56ea529bdabaa9e8a5dd2b2adeb394c9.jpg?v=1778257443"},{"product_id":"news-from-planet-zombie","title":"News From Planet Zombie","description":"\u003cp\u003eWith News from Planet Zombie, The Notwist return to view after years of exploration and experiment with an album rich in both melancholy and positivity, sketched across a suite of thrilling, fiercely committed pop songs. It’s an album reflecting a chaotic world, but responding with warmth and generosity, to achieve creative and spiritual consolidation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRecorded in their home base of Munich, it reconnects with the security of the local to explore the troubles of the global: a guiding impulse writ large across this album’s eleven songs. It’s also the first studio album since 1995’s 12 that the entire band recorded together in the studio in its expanded live formation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA new album by The Notwist is always a curious endeavour; their musical language is as consistent and resilient as the contexts for creativity are unpredictable and ever shifting. For Planet Zombie, the core trio of Markus and Micha Acher and Cico Beck embraced the plural possibilities of writing together, bringing songs to the collective and then arranging, rehearsing and recording that material live, in the studio.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe result is an album that’s energised, fully in ›the now‹, with spectacular moments where you can hear the magic bubbling up in the dynamic between the Achers, Beck, and fellow members Theresa Loibl, Max Punktezahl, Karl Ivar Refseth, and Andi Haberl. If Teeth begins Planet Zombie quietly and reflectively, by X-Ray everyone’s supercharged, blasting out future anthems with the collective energy cranked up high. The chiming keys of Propeller skim the instrumental’s surface like stones across burbling water; The Turning clangs its way into one of the album’s most heartwarming melodies.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePlanet Zombie was recorded over one week at Import Export, a non-profit space for arts and music. You can tell, too; there are some pleasingly rough edges here, as though The Notwist’s striving for hazy perfection means they’re also confident enough to let the songs breathe and mutate between our ears. That openness to chance also takes in guest turns from friends both local and international, reflective of a cosmopolitan Munich: Enid Valu joins in on vocals, while Haruka Yoshizawa guests on taishōgoto and harmonium, Tianping Christoph Xiao on clarinet, and Mathias Götz on trombone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Notwist aren’t best known for cover versions, but Planet Zombie features two: a gorgeous version of Neil Young’s Red Sun (from 2000’s Silver \u0026amp; Gold), which the group originally developed for a theatre play directed by Jette Steckel, and a take on Athens, Georgia folk-pop gang Lovers’ How the Story Ends. They slot into the album’s narrative perfectly, nestling in like old friends, revealing The Notwist as poetic interpreters. Played well, the cover version is both acknowledgement of fellow travellers and act of generosity, and The Notwist nail both aspects here.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAnd that narrative, the way the album plays out? Planet Zombie acknowledges the distress of our current geopolitical impasse, while reminding us there are collective ways forward. Fed through the figure of the zombie, Markus Acher explores our anxieties: »In the title and some lyrics I reference B- and horror-movies, which is a reference to the crazy world at the moment, which seems to be like a really bad and unrealistic B-movie. But there’s a reminder here not to lose the thread entirely, that these things, too, will pass.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe river here in Munich I often go to has been there forever and will be there long after us, Acher reflects, pinpointing an important source of succour for him, »always the same but always changing. Very calming, but also always reminding me that like this river time only flows into one direction and you can’t go back. Every moment is very precious.\u003c\/p\u003e","brand":"Monorail Music","offers":[{"title":"LP","offer_id":53552897786198,"sku":"MRM-05141","price":29.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":53553135321430,"sku":"MRM-05142","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/42033c141b407a723b3c3365b93236d7.jpg?v=1778330485"},{"product_id":"moments-like-these","title":"Moments Like These","description":"\u003cp\u003eAbsolutely barnstorming collection of Vic Godard \/ Subway Sect songs. Produced by Mick Jones. 2nd edition.\u003c\/p\u003e","brand":"Monorail Music","offers":[{"title":"Vinyl LP","offer_id":53553004970326,"sku":"MRM-05140","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/46c959da31cf769ca6a7910c86d2854d.jpg?v=1778330883"},{"product_id":"minute-tango-a-compilation-of-short-tracks-each-about-one-minute-long","title":"Minute Tango: a compilation of short tracks each about one-minute long","description":"\u003cp\u003eDelightful 10 track one-minute miniatures 7\" single with Eddie Marcon, Directorsound and other gentle souls. Into it.\u003c\/p\u003e\n\u003cp\u003e“What would happen if we gave ten musicians a one-minute track and free creative rein to produce anything that they wished? I decided to find out and posed this challenge to ten\u003cspan\u003e musicians who I respect. The only restriction was the time limit. Anything else was fair game. The resulting compilation bends time and transcends genre, perhaps even harkening back to those halcyon days when we were all first starting out as young artists, experimenting with the limited tools at hand to find a unique voice all our own. Sure, some of the tracks run slightly over the one-minute mark, but no problem. We wouldn’t want to cut a single second of these crystalline contributions, brimming with a potent mix of both playfulness and purposeful intent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThere is one notably longer track by Romu Aoyagi, who generously obliged our request to record a whistled cover version of “Esquisses, Op.63: No.48, En Songe”, originally composed by Charles-Valentin Alkan (1813-1888). The track has been included in full with gratitude to Aoyagi.”\u003c\/p\u003e\n\u003cp\u003e September 4, 2025 Takashi Hishigaki\u003c\/p\u003e","brand":"double dyno recordings","offers":[{"title":"7\" vinyl","offer_id":53802501505366,"sku":"MRM-05347","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/a1873151036_10.png?v=1779112791"},{"product_id":"i-feel-everything-you-say-i-feel-everything-you-hear","title":"I feel everything you say, I feel everything you hear","description":"\u003cp\u003eA brilliant collection of writings and photographs from an eclectic mix of artists associated with the Weekend festival, Köln.\u003c\/p\u003e\n\u003cp\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eI feel everything you say. I feel every-thing\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cem\u003e\u003cstrong\u003eyou hear\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(the title is borrowed from the song\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003e‘I‘m so Green’\u003c\/em\u003e\u003c\/strong\u003eby\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eCan\u003c\/strong\u003e), 21 artists tell of decisive moments and memories that still resonate today and have shaped their own artistic identity. The book succeeds in showing diverse lines and connections between them.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStephen Malkmus\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003etalks about his early love for\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCan\u003c\/strong\u003e, while dub producers\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAdrian Sherwood\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eand\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eScientist\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003etell of their deep admiration for the two inventors of dub\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLee Scratch Perry\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKing Tubby\u003c\/strong\u003e. Electronic pioneer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSuzanne Ciani\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003espeaks about her first steps as a musician and her encounter with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDon Buchla\u003c\/strong\u003e, to whom she owes her first job and her first synthesiser.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eGilberto Gil\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003elooks back on his lifelong friendship and his most important musical partner\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCaetano Veloso\u003c\/strong\u003e, while the young London rapper\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFlohio\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003etakes us to her neighbourhood Bermondsey in South London. The British avant-garde guitarist\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFred\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003eFrith\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edescribes his first bizarre encounter with the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSun Ra Arkestra\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ein New York in 1979, of which\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMarshall Allen\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a member. The latter tells how today, at the age of 98, he carries on the musical legacy of his master Sun Ra with pride and reverence.\u003c\/p\u003e\n\u003cp\u003eBy focusing on the fan perspective of the participating artists, the book connects to the curatorial concept of the festival itself. And through their stories and anecdotes, the building blocks of a new or different oral history of recent music history.\u003c\/p\u003e\n\u003cp\u003eFeaturing:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStephen Malkmus, Adrian Sherwood, Scientist, Suzanne Ciani, Flohio, Shintaro Sakamoto, Gilberto Gil, Arthur Verocai, Stephen Pastel, Pascal Comelade, Sun Ra Arkestra‘s Marshall Allen, Fred Frith, Eiko Ishibashi, Jan St. Werner, Tim Bernardes, Sessa, Roedelius, Mdou Moctar, Anadol, Pak Yan Lau, Claire Rousay.\u003c\/strong\u003e\u003c\/p\u003e","brand":"StrzeleckiBooks \/ Week End Books","offers":[{"title":"Hardback with gold embossing","offer_id":53812708147542,"sku":"MRM-05370","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/Screenshot-2026-05-18-at-17.18.18.png?v=1779121227"},{"product_id":"library-of-aethers-selected-lyrics-1994-2024","title":"Library of Aethers: Selected Lyrics 1994-2024","description":"\u003cp\u003eSometimes it feels like Alasdair Roberts has been with us forever – one of the wisest, quietest voices in a music world he’s beautifully enhanced with his mesmerising songwriting and gentle knowledge. He wears it lightly, occupying a unique place between traditional and modern ideas, sort of folk music, sort of not – always trying to howk out the language in things.\u003c\/p\u003e\n\u003cp\u003eLibrary of Aethers is a selection of Roberts’ song lyrics from juvenilia to early senilia, featuring 70-plus song texts plus some translations (into Portuguese, Scottish Gaelic, Welsh and Scots!). Artwork \/ design by Glasgow’s legendary Annabel Wright.\u003c\/p\u003e\n\u003cp\u003eBeautifully illustrated inside and out by Annabel Wright and featuring contributions from Robin Robertson, Rafe Fitzpatrick, Màiri Morrison and Christopher Mack.\u003c\/p\u003e","brand":"Boatwhistle Books","offers":[{"title":"Signed paperback book","offer_id":53915244331350,"sku":"MRM-05394","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/Screenshot-2026-05-19-at-17.18.56.png?v=1779207642"},{"product_id":"sixteen-again-how-pete-shelley-buzzcocks-changed-manchester-music-and-me","title":"Sixteen Again: How Pete Shelley \u0026 Buzzcocks Changed Manchester Music (and me)","description":"\u003cp\u003eMost punk groups were gloriously 1-D – over-exposed polaroids abandoned in a 1976\/77 micro-moment. Buzzcocks were different – they were the vanguard of a different type of music that led out of one thing and into another. At their core was a casual genius front-person, Pete Shelley, who connected so many things together while effortlessly writing some of the very best 20th century pop music. Sixteen Again is the book that Buzzcocks deserve, that Pete Shelley deserves. Paul Hanley writes from a first-wave fan’s perspective but with the advantage of time and research evidencing a group and person which was absolutely pivotal to a new Manchester music, and a new city too. I have to say, Buzzcocks were pivotal to Glasgow too – we didn’t have any world-class punk groups so in a way they were our group too – everything that came after them, that was good, was a bit in love with them – Orange Juice, Strawberry Switchblade, The Jesus \u0026amp; Mary Chain. Paul Hanley’s book, like Buzzcocks, like Pete Shelley, is not weighed down in its own importance but is a blizzard of document and colour – how did Pete Shelley meet Howard Devoto; why was Richard Boon so important; why was Martin Rushent a better producer for Buzzcocks than Martin Hannett; how the fuck did Garth end up in the group; how did Malcolm Garrett make sleeves that looked exactly like the music sounded – and of course, what was The Fall \/ MES line on Buzzcocks. Paul Hanley knows that, he was The Fall’s drummer, one of. What a treasure trove of a book. Essential, totally essential.\u003c\/p\u003e\n\u003cp\u003eSP \/ 2024\u003c\/p\u003e","brand":"Route Publishing","offers":[{"title":"Signed hardback","offer_id":53934190395734,"sku":"MRM-05412","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/Screenshot-2026-05-20-at-13.57.53.png?v=1779281962"},{"product_id":"orange-juice-the-glasgow-school","title":"Orange Juice - The Glasgow School","description":"\u003cp\u003eOriginally released by Domino Records in 2005, AED are honoured to be able to reissue The Glasgow School CD in the original hardback format with 16pp booklet.\u003c\/p\u003e\n\u003cp\u003eYou can read the full story when you pick up “The Glasgow School,” which compiles all the studio recordings the band did for Postcard Records. The deluxe package includes a few audio surprises, as well as a lengthy historical essay penned by the band’s original drummer turned acclaimed writer, Steven Daly.\u003c\/p\u003e\n\u003cp\u003eA truly beautiful collection.\u003c\/p\u003e","brand":"Monorail Music","offers":[{"title":"CD","offer_id":53936996843862,"sku":"MRM-05424","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/Screenshot-2026-05-20-at-15.39.02.png?v=1779288022"},{"product_id":"yesterday-was-dramatic-today-is-ok","title":"Yesterday was Dramatic - Today is OK","description":"\u003cp\u003eOriginally released a quarter of a century ago, it still sounds completely startling and new. Imagine the youthful melodicism of Belle \u0026amp; Sebastian’s Tigermilk but played by Aphex Twin with unreal female voices and, and… So inventive, so surprising, so beautiful. It really is a masterpiece.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn 1999, on December 23 to be precise, the electronic music landscape changed forever. On that day, the now legendary Icelandic band múm released their debut album Yesterday Was Dramatic – Today Is OK. The thing is though, back in the day, hardly anybody realized. It was Christmas after all, people were busy with potentially more important things and didn’t pay attention to some kids selling records on Reykjavík’s high street. Little did those shoppers know.\u003c\/p\u003e","brand":"Morr Music","offers":[{"title":"CD","offer_id":53937592664406,"sku":"MRM-05428","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/a1490421113_10.png?v=1779288880"},{"product_id":"girl-to-country-a-memoir","title":"Girl to Country: A Memoir","description":"\u003cp\u003e\u003cstrong\u003eLook out for an afternoon with Amy playing songs and reading at the Doublet on Saturday June 13th!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBroken-down vehicles. Premenopausal libido. A punk rock-loving teen to share the culture shock with. I don’t think Hank done it this way.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA few years after her 1996 breakthrough album Diary Of A Mod Housewife, singer\/songwriter Amy Rigby is still figuring out who she is. Closing in on forty, a newly-divorced mom trying to tour, work temp jobs, and keep a car running, Amy is ready for a change. She trades her beloved NYC for Nashville, where she navigates music, men and motherhood to learn the hard way that outside validation is no substitute for self-belief.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“A rocking, rolling journey from new-wave New York, through Nashville, on to England …moving and very funny.”- Nick Dalton (Record\u003c\/span\u003e\u003cspan\u003e Collector)\u003cbr\u003e\u003cbr\u003e“As compelling a storyteller on the page as she is on the stage, Rigby is an engaging and likeable narrator, disarmingly frank and funny whether discussing sex, parenthood and family dysfunction or the trials and doubts of an independent touring musician…” - Ben Graham (Shindig)\u003cbr\u003e\u003cbr\u003e“Amy Rigby’s unfiltered self-portrait is a testament to friendship, the power of songs, the corrosive effects of bad boyfriends and the possibility of finding true love in middle age.” Jim Wirth (Mojo Magazine) \u003c\/span\u003e\u003c\/p\u003e","brand":"Southern Domestic","offers":[{"title":"Paperback Book","offer_id":54143182274902,"sku":"MRM-05929","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/2026-Rigby-GTC-533x800.webp?v=1781005055"}],"url":"https:\/\/monorailmusic.com\/collections\/stephen.oembed","provider":"Monorail Music","version":"1.0","type":"link"}