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career.\u003cbr\u003e\u003cbr\u003eNot long after, on tour in Singapore, he discovered three Roland devices that had just hit the market: the TR-808 drum machine (released 1980), the TB-303 bass synthesizer (released 1981), and the Jupiter 8 synthesizer (released 1981).\u003cbr\u003e\u003cbr\u003eWhile this trio would fuel early electronic dance music in the coming years, Singh was among the first known artists to pair them on record when he was inspired to create his next album, Synthesizing: Ten Ragas to a Disco Beat.\u003cbr\u003e\u003cbr\u003eUsing only the three devices and recording live at Mumbai’s HMV studios, Singh married the past to the future—blending the ancient Indian tradition of ragas (a melodic framework, similar to a scale, from which musicians can improvise or compose) with pulsating, electronic dance beats, while programming the TB-303 to follow classical Hindustani scales.\u003cbr\u003e\u003cbr\u003eFrom the hypnotic drones of “Raga Bhairavi” to the uplifting jams of “Raga Bairagi” the album proved perhaps to be a bit too visionary for its time.\u003cbr\u003e\u003cbr\u003eReleased without fanfare, it faded into obscurity and Singh retired from recording to focus on private concerts.\u003cbr\u003e\u003cbr\u003eTwo decades later, Dutch DJ and record collector Edo Bouman was in New Delhi when he came across an old copy of Ten Ragas.\u003cbr\u003e\u003cbr\u003eBouman was astounded by what he heard—electronic music that had all the hallmarks of acid house, recorded five years before Chicago DJs coined the term.\u003cbr\u003e\u003cbr\u003eBouman spent the next few years tracking down Singh and, in 2010, reissued the album on his label, Bombay Connection.\u003cbr\u003e\u003cbr\u003eSoon, Ten Ragas became a viral sensation, sparking disbelief and debates about the origins of acid house.\u003cbr\u003e\u003cbr\u003eBut, as Haq and Loudenback explain, those in the conversation “Had little frame of reference for [Singh’s] music outside of the parameters of 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