{"title":"Compilations","description":null,"products":[{"product_id":"the-mysterians-the-best-of-the-mysterians-1966-1967","title":"? \u0026 The Mysterians - The Best Of ? \u0026 The Mysterians 1966-1967","description":"\u003cp\u003e\u003cspan\u003eCollectors will be shedding tears of joy when they check out this *27-track* collection from these legendary garage punkers!\u003c\/span\u003e\u003c\/p\u003e","brand":"UMC - UMC","offers":[{"title":"CD","offer_id":53021300916566,"sku":"MRM-00001","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/Screenshot-2026-08-20-at-17.20.12.png?v=1787242921"},{"product_id":"various-rockets-of-love-power-pop-gems-from-the-70s-80s-90s","title":"Various - Rockets Of Love! Power Pop Gems From The 70s, 80s \u0026 90s","description":"\u003cp\u003e\u003cstrong\u003eAnother collection of top-notch songs delivered with all the jangling guitars, catchy hooks, banging beats and snappy tunes that make power pop such a blast.\u003c\/strong\u003e\u003c\/p\u003e","brand":"BIG BEAT","offers":[{"title":"CD","offer_id":53021329523030,"sku":"MRM-00005","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/CDTOP-349-Rockets-of_1200_1200.png?v=1787934709"},{"product_id":"various-a-rocket-in-my-pocket-the-soundtrack-to-the-hipsters-guide-to-rockabilly","title":"Various - A Rocket In My Pocket: The Soundtrack To The Hipster's Guide To Rockabilly","description":"\u003cp\u003e\u003cspan\u003eThe story of rockabilly is largely one of individual recordings, rather than stars. Many great performances were laid down by unknowns whose careers were over almost before the ink dried on their record contracts. Yet the first pure rockabilly record ever made launched its teenage singer on the biggest and most successful career trajectory the music world has ever known. The five singles that Elvis, Scotty and Bill cut in Sam Phillips’ Sun Studios in 1954 and 1955 laid down the blueprint for the worldwide rock explosion of the 1950s, but also defined rockabilly for all time. What you have on this collection is Elvis and a selection of those who were chasing his shadow.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ace Records","offers":[{"title":"CD","offer_id":53021333487958,"sku":"MRM-00011","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/A-Rocket-In-My-Pocket-The-Soundtrack-To-The-Hipster-s-Guide-To-Rockabilly-Various-Artists.png?v=1791555915"},{"product_id":"various-a-snapshot-in-time","title":"Various - A Snapshot In Time","description":"\u003cp\u003eBack in September 1962, the only Beatles records in the shops saw them backing Tony Sheridan on a goosed-up version of My Bonnie, Their debut single Love Me Do would be released in October 1962 and the seismic change they brought to music worldwide would occur once the band achieved light speed in 1963. There was, however, before Beatlemania a thriving music culture that dropped anchor in a number of ports. Proto pop charts might be dominated by the likes of Cliff and his Shadows, crooners and sweet looking pop idols who brushed their teeth but R\u0026amp;B was gently finding its way into record racks either through imports or a growing number of home grown cover versions. The Motown sound was taking root in Detroit, America and already filtering into the UK on poor selling 7” singles on London and Fontana.\u003c\/p\u003e","brand":"ACE","offers":[{"title":"2CD","offer_id":53021334143318,"sku":"MRM-00012","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/CDTOP1623-ASnapshotI_1200_1200.png?v=1785238377"},{"product_id":"various-dolly-parton-a-way-to-make-a-living-the-dolly-parton-songbook","title":"Various (Dolly Parton) - A Way To Make A Living: The Dolly Parton Songbook","description":"\u003cp\u003e\u003cspan\u003eName any recording that you immediately associate with Country music legend Dolly Parton and there’s a better than average chance that she not only sang it, she wrote it too. Dolly has been recording regularly since the mid-60s and almost every major hit she has ever had (and quite a few minor ones too) she wrote or co-wrote.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e Somehow this important component of her overall musical skillset is all too frequently overlooked by the public at large, who know Dolly for her luminous public image and gregarious personality without necessarily realising that she is also a brilliant songwriter.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDolly Parton wrote hit songs for other artists before she really had any hit records of her own. The ink in her pen has never gone dry and although she’s not as prolific as she once was, she still writes songs – these days mostly for herself – that other artists are happy to record.  A generous sampling of her best work from more than half a century of song-writing is collected here in Ace’s latest instalment of our long-running and highly-regarded ‘Songwriter Series’.\u003c\/span\u003e\u003c\/p\u003e","brand":"ACE","offers":[{"title":"CD","offer_id":53021346300246,"sku":"MRM-00016","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/CDTOP-1626-Ace-TheDo_1_1200_1200.png?v=1785238825"},{"product_id":"various-artists-all-the-young-droids-junkshop-synth-pop-1978-1985","title":"Various Artists - All The Young Droids: Junkshop Synth Pop 1978-1985","description":"\u003cp\u003eA new compilation that charts the underbelly of the epoch-defining sound of the synthesiser in 80s popular music.\u003c\/p\u003e\n\u003cp\u003eCompiled by Philip King (previously seen compiling All The Young Droogs, Glitterbest and Boobs - The Junkshop Glam Discotheque), the music here connects the dots between DIY synth enthusiasts grappling with new, cheap synthesisers at the tail-end of punk and wannabe, jobbing songwriters enthral to the new music pioneered by Gary Numan, Depeche Mode and Daniel Miller’s Mute Records. Featuring rare tracks of auto-didactic progressive pop music, proto-techno punk, shoot-for-the-stars-land-in-the-gutter chart flops and heralded, underground synth classics, School Daze paints a picture of beautiful failure.\u003cbr\u003e\u003cbr\u003eComplete with extensive sleeve notes written by King and never before seen imagery, all 24 tracks were remastered by RPM in-house engineer, Simon Murphy, many from vinyl copies due to lost master tapes.\u003cbr\u003e\u003cbr\u003eThe story told on All The Young Droids is one of the dawning opportunity presented by both the emergence to the market of cheaper analog synthesisers and the distribution networks plus indie labels that exploded with the advent of punk music in 1976. While the music that sprouted out all over the globe in the wake of these factors was decried as fake, plastic, a refutation of punk’s guitar-led revolution, it’s telling that much of the music on All The Young Droids.. was created in bedrooms, ramshackle studios and home-made set ups with often borrowed equipment. In the era of record labels jumping to capitalise on the success of The Sex Pistols, The Clash (both on major labels, of course) these artists struggled to stand out from a new gold-rush with next to no budget or PR team. With radio and labels desperate for the new Yazoo, what resulted was a testament to necessity being the mother of invention.\u003cbr\u003e\u003cbr\u003eThere are plenty of compilation debuts in evidence. Sole Sister were a mysterious trio who were featured on the Scaling Triangles compilation of female-fronted, queer-adjacent post-punk \/ underground music that also featured The Petticoats. Selwin Image were from San Francisco and featured members of the recently defunct power pop\/punk group The Pushups. Their stupidly catchy The Unknown fizzes with New Wave energy - think XTC to Sparks but remains unreleased until now. Dream Unit’s A Drop In The Ocean is an early synth wave cut, positively teaming with Joy Division instrumentation, previously only released on a long-forgotten and super rare, self-released EP. Incandescent Luminaire’s Famous Names belies an archetypal struggle of a small-town trying to make it in a cruel industry but is a thrilling New Romantic-Synth Wave cross over with a OMD gloominess that’s a joy to hear. Feminist Minimal Wave track I Am A Time Bomb by performance artist Peta Lilly and Michael Chance is a revelation destined for new found cult status. It was released on 7” and lost until now.\u003cbr\u003e\u003cbr\u003eThe flipside to the subterranean, never-made-it synth pop mentioned above are the ambitious, even fruity attempts at success that have a perennial elegance to their confidence. New Jersey-ite Billy London (real name Ed Barth) tried to cash in on the synth boom with Woman, released by a major label, a lurching new wave track built on the Louie Louie rhythm and a wonderfully camp Lou Reed-style sleazy vocal before exploding in the synthesised chorus. The song bombed but with a chorus like this, you have to wonder why? Ex-Glitter Band member John Springate’s My Life is truly epic, with doomed chord progressions and massive sounding drums turning into at least 3 different songs in the course of the track. Before you wonder what’s going on, the song resolves with a glorious return to the main refrain.\u003cbr\u003e\u003cbr\u003eThe dry-ice-dressed dance floor is well catered for too. Design’s Premonition and Vision’s Lucifer’s Friend are stone-cold minimal synth bangers, well loved but given a new lease of life here. The Warlord’s The Ultimate Warlord was released in 1978, a homespun proto Hi NRG banger that was later re-recorded by The Immortals in Canada who had a club hit with it. One-man- band Disco Volante’s No Motion was re-issued by Synth wave label Medical in 2012 but makes its first vinyl compilation appearance here. Close your eyes and you can imagine what Lawrence of Felt would have sounded like with some cheap Korgs a little earlier in his career. Gibraltar-based trio The Microbes imagined a computer programming people to dance - how prescient - and ended up with a propulsive, robo-funk track with splendid rubbery bass playing over a tectonic drum machine. Previously picked up by Belgian label, Stroom TV, Dee Jay Bert \u0026amp; Eagle’s heavily Euro-accented I Am Your Master demands the listener to “come to paradise!” In a frankly terrifying manner.\u003cbr\u003e\u003cbr\u003eAll The Young Droids is the first compilation to peel away from the narrative that dour, Minimal Synth and Cold Wave were the only musical children of the first rush of synth pop. Philip King and School Daze Records describe a much more complicated world: along with the austere, Brutalist children of Daniel Miller (who produced Alan Burnham’s Bowie-Low-influenced Science Fiction here) was a plethora of desperate cash-ins, accidental mainstream hits, ambitious pop dramas and major label punts that went nowhere. Crucially, the compilation blurs the line between junk and treasure. What if the two things are interchangeable. What if it’s all science fiction?\u003c\/p\u003e","brand":"SCHOOL DAZE","offers":[{"title":"Green 2LP","offer_id":53021359407446,"sku":"MRM-00078","price":28.99,"currency_code":"GBP","in_stock":true},{"title":"Remastered 2CD","offer_id":53021359505750,"sku":"MRM-00079","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/3ee9991caf652a24588450aba71a9480.jpg?v=1778349214"},{"product_id":"various-bob-stanley-american-baroque-chamber-pop-and-beyond-1967-1971","title":"Various (Bob Stanley) - American Baroque: Chamber Pop and Beyond 1967-1971","description":"\u003cp\u003eAmerican Baroque: Chamber Pop And Beyond 1967-1971.\u003c\/p\u003e\n\u003cp\u003eThe heyday of American baroque pop – or chamber pop - ran from 1966 to the turn of the seventies. It used string quartets, harpsichords and woodwinds to create a summer-into-autumn melancholy that was quite new, and quite far removed from rock’n’roll as Eddie Cochran would have known it. Baroque pop’s musicians often came from a folk background, with an affinity for acoustic instrumentation. Linda Ronstadt's first band the Stone Poneys had introduced the autoharp to their line-ups in 1965, while the likes of Bonnie Dobson and Nico experimented with a string quartet’s, searching for different, post-electric Dylan directions.\u003c\/p\u003e","brand":"ACE RECORDS","offers":[{"title":"LP","offer_id":53021359800662,"sku":"MRM-00086","price":28.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":53021360062806,"sku":"MRM-00087","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/CDTOP-1657-AmericanB_1_1200_1200.png?v=1785422776"},{"product_id":"anne-briggs-an-introduction-to","title":"Anne Briggs - An Introduction to...","description":"\u003cp\u003eAnne Briggs was born in Nottinghamshire in 1944 and began singing in local folk clubs in her teens. Her break came through the Centre 42 tour of 1962. This was a distinctly leftist group of artists, writers, actors and musicians whose lofty aim was to make arts and culture accessible to the masses. Local artists were invited to audition where Ewan MacColl first heard Briggs' remarkable voice and persuaded her to join the tour. There Briggs met MacColl's broader minded comrade A.L. 'Bert' Lloyd who became her mentor. Briggs debut EP, The Hazards Of Love, was produced by Lloyd although Briggs never enjoyed recording and it was only though Lloyd's coaxing that she contributed to his pioneering conceptual albums The Iron Muse and The Bird In The Bush. The first six, traditional, unaccompanied songs presented here are taken from these outstanding recordings made between 1963 and 1966 which display all the hallmarks of Anne Briggs artistry – pure, fluid and with flawless timing.\u003c\/p\u003e","brand":"TOPIC","offers":[{"title":"CD","offer_id":53021385556310,"sku":"MRM-00141","price":8.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/169189-anne-briggs-an-introduction-to-anne-briggs.png?v=1788537489"},{"product_id":"various-a-square-of-course","title":"Various - A-Square (Of Course)","description":"\u003cp\u003eJeep Holland’s Ann Arbor label and agency A-Square was the flashpoint for the late 1960s Detroit rock revolution. “A-Square (Of Course)” features historic recordings by luminaries MC5, Thyme, Scot Richard Case and Frost, plus the rarely-heard Prime Movers, with a young Iggy Pop on lead vocals.\u003c\/p\u003e\n\u003cp\u003eFrom Del Shannon through Mitch Ryder and Motown and its many offshoots and imitators, Michigan’s rock’n’roll past is tremendously rich – but without a doubt, it is the “high energy” Grande Ballroom era of the MC5 and Stooges that has captures the imagination of the rock fan. Detroit’s rock scene of the late 60s was part of the grass roots rock milieu, clustered in towns like Flint, Kalamazoo, Grand Rapids, East Lansing and, significantly, the college town of Ann Arbor, forty miles west of Detroit. This was the place that music fanatic Hugh “Jeep” Holland established his set up. Jeep traditionally does not get the credit he deserves in his stewardship of Detroit 60s rock’n’roll between 1965-70 but to a large extent, he was the region’s first tastemaker.\u003c\/p\u003e","brand":"BIG BEAT","offers":[{"title":"CD","offer_id":53021389390166,"sku":"MRM-00216","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/CDWIKD-274_1200_1200.png?v=1785239994"},{"product_id":"various-ian-rankin-behind-the-counter-with-ian-rankin","title":"Various (Ian Rankin) - Behind The Counter With Ian Rankin","description":"\u003cp\u003e\u003cspan\u003eRough Trade Shops presents Behind the Counter with Ian Rankin, the second instalment in a compilation series inviting artists to curate mixes of the music that has most influenced them, sourced from records sold on the Rough Trade shop floor.\u003c\/span\u003e\u003c\/p\u003e","brand":"ROUGH TRADE SHOPS","offers":[{"title":"Limited Green 2LP (with exclusive signed print)","offer_id":53021393846614,"sku":"MRM-00285","price":39.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/3a7e42181f6f685babcfaf3019fb3330.jpg?v=1775187166"},{"product_id":"various-bellissima-more-1960s-she-pop-from-italy","title":"Various - Bellissima! More 1960S She-Pop From Italy","description":"\u003cp\u003e\u003cstrong\u003eComprising pounding big beat ballads, the occasional guitar-driven nugget and other feminine pop gems of the stylish Italian variety, this much-anticipated sequel to “Ciao Bella!” offers further proof that there is musical life beyond the shores of English-speaking countries.\u003c\/strong\u003e\u003c\/p\u003e","brand":"ACE RECORDS","offers":[{"title":"LP","offer_id":53021394665814,"sku":"MRM-00304","price":23.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":53021394731350,"sku":"MRM-00305","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/s-l1600-1.png?v=1783502423"},{"product_id":"bettye-swann-the-money-recordings","title":"Bettye Swann - The Money Recordings","description":"\u003cp\u003eJohn Dolphin was one of the key independent black record label owners on the West Coast. Starting with his Recorded In Hollywood label in the 1951-54 period, he started many other labels in the R\u0026amp;B, blues, gospel, jazz and doo wop vein. Money Records came along in 1954 and ran for a couple of years. Then there was Cash in 1955, as well as other subsidiaries such as Lucky and Ball. After John's unfortunate demise in early 1958, the family continued to run the business and a reactivated Money label served up several soul hits from the mid-60s to the mid-70s. Now that Ace Records has acquired the rights to the Dolphin recordings, we can look forward to a fascinating series of releases covering the whole gamut of the material on his labels. The first to be released comes from the golden period of soul and showcases soul songtress Bettye Swann, featuring all of her Money recordings that have so far been discovered.\u003c\/p\u003e","brand":"KENT","offers":[{"title":"CD","offer_id":53021394960726,"sku":"MRM-00311","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/CDKEND-197_1200_1200.png?v=1788280126"},{"product_id":"bill-fay-still-some-light-part-1","title":"Bill Fay - Still Some Light: Part 1","description":"\u003cp\u003e\u003cstrong\u003eBill Fay\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehas always sung about attempting to understand the most universal questions: those of nature, spirituality, humanity. His songs are\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ecalming hymns for another chaotic time\u003c\/em\u003e, he says.\u003c\/p\u003e\n\u003cp\u003eHis influence can be traced through many artist’s work, and so it only seemed right to celebrate this with a collection of newer voices interpreting his timeless tracks. Originally released in 2010 by David Tibet (Current 93),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStill Some Light\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas released as a double CD, made up of 70’s album demos (Disc One) and 2009 home recordings (Disc Two).\u003c\/p\u003e\n\u003cp\u003eThis year, for the first time, this collection of recordings will be pressed to vinyl and released digitally, presented alongside contemporary reimaginings of the tracks by Kevin Morby, Steve Gunn, Julia Jacklin and Mary Lattimore.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBill Fay\u003c\/strong\u003e’s words and melodies remain unaffected by the passing of time and changing trends; and here alongside the original recordings, these reinvented versions still calmly guide us through another moment of chaos.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eStill Some Light Part 1\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecollects Fay’s archival recordings from 1970 and 1971. Many of the songs are intimate sketches which were eventually re-recorded for Fay’s self-titled debut and for his landmark album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTime of the Last Persecution\u003c\/em\u003e. This double LP set includes heart wrenching versions of some of his timeless works, such as \"\u003cem\u003eI Hear You Calling\u003c\/em\u003e\" and \"\u003cem\u003ePictures of Adolf Again\u003c\/em\u003e,\" and features equally powerful songs like \"\u003cem\u003eArnold is a Simple Man\u003c\/em\u003e\" and \"\u003cem\u003eLove is the Tune\u003c\/em\u003e,\" which only appear in this collection.\u003c\/p\u003e","brand":"SECRE - SECRETLY CANADIAN","offers":[{"title":"CD","offer_id":53021396828502,"sku":"MRM-00357","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/a1827696200_10.png?v=1788537893"},{"product_id":"bill-fay-still-some-light-part-2","title":"Bill Fay - Still Some Light: Part 2","description":"\u003cp\u003eBill Fay has always sung about attempting to understand the most universal questions: those of nature, spirituality, humanity. His songs are “calming hymns for another chaotic time”, he says. His influence can be traced through many artist’s work, and so it only seemed right to celebrate this with a collection of newer voices interpreting his timeless tracks. Originally released in 2010 by David Tibet (Current 93),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStill Some Light\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas released as a double CD, made up of 70’s album demos (Disc One) and 2009 home recordings (Disc Two). This year, for the first time, this collection of recordings is pressed to vinyl and released digitally, presented alongside contemporary reimaginings of the tracks by Kevin Morby, Steve Gunn, Julia Jacklin and Mary Lattimore. Bill Fay’s words and melodies remain unaffected by the passing of time and changing trends; and here alongside the original recordings, these reinvented versions still calmly guide us through another moment of chaos.\u003c\/p\u003e","brand":"SECRETLY CANADIAN","offers":[{"title":"CD","offer_id":53021396861270,"sku":"MRM-00358","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/2bdd70b8-fbe5-4393-8df5-afafe47b92c5_thumbnail_4096.png?v=1788537949"},{"product_id":"various-bob-stanley-pete-wiggs-incident-at-a-free-festival","title":"Various (Bob Stanley + Pete Wiggs) - Incident At A Free Festival","description":"\u003cp\u003e“Incident At a Free Festival” is a tribute to the mid-afternoon slots at Deeply Vale, Bickershaw, Krumlin, Weeley, and Plumpton – early 70s festivals that don’t get the column inches afforded the Isle of Wight or Glastonbury Fayre, but which would have been rites of passage for thousands of kids. Bands lower down the bill would have been charged with waking up the gentle hippies and appealing to both the greasy bikers and the girls in knee-high boots who wanted to wiggle their hips. And the best way to do that was with volume, riffs and percussion.\u003c\/p\u003e\n\u003cp\u003eCompiled by the venerated Bob Stanley and Pete Wiggs of Saint Etienne, this is the heavier side of the early 70s they summarised on the acclaimed “English Weather” collection. There’s an air of menace and illicit thrills among tracks by Andwella, Stack Waddy and Leaf Hound (whose “Grower of Mushroom” album is worth well over £1,000). Bigger names include the rabble-rousing Edgar Broughton Band and kings of the festival freakout, Hawkwind. They are represented by the rare Ejection single.\u003c\/p\u003e","brand":"ACE","offers":[{"title":"CD","offer_id":53021402825046,"sku":"MRM-00447","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/CDCHD-1619-INCIDENT-_1_1200_1200.png?v=1785424697"},{"product_id":"various-bob-stanley-liverpool-sunset-the-city-after-merseybeat-1964-1969","title":"Various (Bob Stanley) - Liverpool Sunset: The City After Merseybeat 1964-1969","description":"\u003cp\u003e‘Waterloo Sunset’ is now regarded as the greatest song about London. It comes as a shock, then, to discover it was originally about another city altogether. Watching acts who had been huge stars just three years earlier but now couldn’t buy a hit – The Searchers, Billy J Kramer, Gerry and the Pacemakers – the Kinks’ Ray Davies wrote ‘Liverpool Sunset’ in sympathy.\u003c\/p\u003e\n\u003cp\u003eCompiled by Saint Etienne’s Bob Stanley, with comprehensive sleevenotes, “Liverpool Sunset” investigates a thrilling but overlooked era in the city’s musical history, covering soul, R\u0026amp;B, psychedelia and freakbeat.\u003c\/p\u003e\n\u003cp\u003eAs this collection makes clear, the city was still producing new acts in the late 60s, and still making great records, it was just that the world had started looking elsewhere for its musical fix.\u003c\/p\u003e\n\u003cp\u003eBy 1965 the Iron Door club, once the Searchers’ Merseybeat home, was beginning to host soul all-nighters where local band the Chants were often on the bill. 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Perhaps less known is that Ireland is a wellspring of amazing solo acoustic guitar talent. Guitarist, Cian Nugent, recruited some of the leading lights of Irish guitar to create 'Imaginational Anthem vol. XIV : Ireland'. \u003cbr\u003e\u003cbr\u003e\"Perhaps the intention of putting this collection together was to show a different side of Irish guitar. The guitar has often played a questionable role in Irish music. Its tendency towards bashing and harmonising has many times raised eyebrows at traditional sessions, and the good lord knows the dread that befalls faces when a guitar is produced unprovoked at a party. Passing a Dublin tourist trap pub, the sound of a plastic piezo strum can elicit horror in the passerby. But the guitar can also be a tool for dreaming and mystery. It can soothe a sleepless night or transport us in memory. \u003cbr\u003e\u003cbr\u003eThis compilation includes guitar that does just these things by some of Ireland’s most imaginative guitarists. Some brief introductions: \u003cbr\u003e\u003cbr\u003eDavid Murphy is a pedal steel player from Cork who has recently been arranging Irish tunes for the steel in a way that is perfectly familiar yet unusual. The March of The King Of Laois is an old pipers’ tune from the 16th century, which David has worked his magic on arranging for the steel. Brendan Jenkinson is a guitarist and producer from Meath who I’ve known for a long time. I’ve often urged him to record some of his solo music, and he has finally given in and done just that, resenting his original Paris Blues. I am excited to see what comes next. \u003cbr\u003e\u003cbr\u003eJunior Brother AKA Ronan Kealy is a guitarist and songwriter from Kerry known for his powerful lyricism and singing, whose playing I’ve admired since I first heard it many years ago. He takes on the traditional tune The Lark In The Morning in a way I’ve never heard before, infusing it with joy. Caoimhe Hopkinson is a Irish-Okinawan guitarist from Mayo who grew up playing traditional music. She has become an in demand guitarist and bassist and her solo guitar playing has a unique and lyrical way of approaching traditional tunes fingerstyle such as Jamieson’s Favourite. \u003cbr\u003e\u003cbr\u003eDamian O’Neill is a guitarist from Derry who is probably best known for playing with the bands The Undertones and That Petrol Emotion. More recently he has been crafting reflective delicate instrumentals, which draw on traditional music and blend it with a contemporary sensibility, such as his original Inside Out. My own selection is a traditional Irish tune called I Am Asleep And Don’t Waken Me that I learned from the harp arrangement, which I’ve seen credited to both Turlough O’Carolan and Edward Bunting. \u003cbr\u003e\u003cbr\u003eThose who know me may notice the title’s aptness to my own wont to slumber. It seemed remiss to compile a record of Irish guitar music without mention of Arty McGlynn, the Tyrone guitarist who reimagined what was possible for the guitar in Irish music, exploring the instrument as a melodic vehicle rather than simply an accompaniment. Tyrone musicians Jerome McGlynn (son of Arty) and Mark McKowski (known as half of The Lost Brothers) render a beautiful take on Arty’s arrangement of the traditional tune The Blackbird. \u003cbr\u003e\u003cbr\u003eNC Lawlor is a guitarist originally from the north of England who has called Dublin home for a long time, and is known for providing beautiful live soundtracks to the city’s streets for many years. I’ve long been a fan of his playing and was excited to include his original Laurie Rose. Aonghus McEvoy is a guitarist and improviser from Dublin who I’ve known since we were teenagers. He grew up playing in punk bands and in more recent years has taken to exploring solo acoustic playing. His arrangement of Jimmy Guiffre’s Cry, Want is processed into a drastically different context, giving space for him to roam the melody and ruminate over the form. \u003cbr\u003e\u003cbr\u003eSean Carpio is an Irish Peruvian musician from Dublin who is usually known as a jazz drummer but never ceases to confound and surprise people by the many strings to his bow. He has a solo guitar practice that he has been developing almost in secret for many years and I was pleased to bully him into recording some of it for this record. His piece Labour of Love is an original written while watching the James Graham play of the same title on television. 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