{"title":"Cassettes","description":null,"products":[{"product_id":"still-life-painter-a-month-of-longest-days","title":"Still Life Painter - A Month of Longest Days","description":"\u003cp\u003e\u003cem\u003e“We’re in the country, on the cusp of the seasons changing. It’s a bright, cool day and the air is crisp. From inside the house, we look out through vast windows onto a body of water that gently laps against the shore. The wind is whistling softly in the chimney. We’re listening to this record, loud, with our close friends. The coffee is hot.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis is how \u003cstrong\u003ePhil Smith\u003c\/strong\u003e (aka. Glasgow based songwriter \u003cstrong\u003eStill Life Painter\u003c\/strong\u003e), imagines the ideal listening conditions for his self-produced debut album, \u003cstrong\u003eA Month of Longest Days\u003c\/strong\u003e.A Month of Longest Days is a joyous exploration of Americana-infused indie rock tied together by love, loss and lap steel. 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Perhaps it makes sense, then, that these songs were carefully crafted between shifts at the ice cream shop in the humid Glasgow heat. When you live in a city filled with rain, the glimmers of sunshine really do feel like small moments to soak up entirely. Open the windows, open the doors, let the light in.\u003c\/p\u003e\n\u003cp\u003eThere’s a quiet beauty in the way Still Life Painter relates the mundane in life: cycling through the city in the rain, drawing the curtains, listening to birdsong, hearing an owl in the middle of the night. Smith wrote and produced the album, playing all the instruments himself – with the exception of drums, played by \u003cstrong\u003eCallum Little\u003c\/strong\u003e. These were recorded at Little’s practice space in the moments of silence between the sludgy growls of a metal band rehearsing in the room next door. The guitars were recorded with the help of friend, collaborator and fellow songwriter,\u003cstrong\u003e Conor Heafey\u003c\/strong\u003e, at his small home studio. Everything else was recorded in Smith’s bedroom and living room, cocooned inside a makeshift fortress of moving blankets and duvets.\u003c\/p\u003e\n\u003cp\u003eThe result is an album in the truest sense, a collection of carefully constructed songs that overflow with rich harmonies, intimate vocals and subtly catchy hooks. I’m not sure if Phil chose the name Still Life Painter for any particular reason, but one thing is clear: he paints a picture of our world in all its stillness and complexities with the richest of colours, textures and lines. Buy an old wooden frame, pre-loved and rough round the edges, and hang it with pride.\u003c\/p\u003e","brand":"Monorail Music","offers":[{"title":"Cassette tape","offer_id":53366820372822,"sku":"MRM-05062","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/Screenshot-2026-09-10-at-11.19.36.png?v=1789035674"},{"product_id":"luke-cowan-friends-spring","title":"Luke Cowan \u0026 Friends - SPRiNG!","description":"\u003cp\u003e\u003cspan\u003eLondon-based musician Luke Cowan returns with SPRiNG!, a release that trades the slow-blooming architectures of Six Places for something more immediate, loose-limbed and provisional. 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They were going through a breakup, and they were putting the finishing touches on their last record, Breakfast of Champions, which they’d been working on for five years at that point and were feeling burnt out on. Over the month they were there, the songs that make up their newest record Don’t Forget To Remember all but fell out of them.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“My little sibling had a two-input audio interface in her room, and she was at her dad’s place all the time, so I would just go downstairs and fuck around on Ableton for hours every day,” Roth recalls. “After basically three weeks of doing that, I had the skeleton of a new record.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDon’t Forget To Remember is kind of a change in tack for Roth. Breakfast of Champions was all meticulously and richly composed alt-country, on which Roth was assisted by a who’s-who of Philadelphia indie rock. 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So, in tribute to that, the songs on Don’t Forget To Remember are chronicles of addiction, denial, inadequacy; fucking up again and again; watching someone you loved become a stranger, and knowing it’s no one’s fault, but sure as hell feeling like it’s your fault. “I can talk about it, I will be alright \/ Though heaven knows everybody dies alone,” Roth sings on “Paper Tigers.”\u003cbr\u003e\u003cbr\u003e“I’m 23, turning 24, so a lot of what I’ve been writing about for the last few years is just growing up and trying to figure out what it means to exist in the world as an adult,” they say. “I think lyrically a lot of it is about just this moment or several moments where you can’t go back. It’s just that feeling, that watershed feeling, of like, all these things have happened in my life now, and all I can do is just move forward. And I think a lot of my music and the sort of sonic landscape that it inhabits is about breakdowns in communication; the inability to get the words out right.”\u003cbr\u003e\u003cbr\u003e“Because I was home in Chicago and I was recording in a bedroom, I didn’t have access to a lot of the studio equipment that I had access to for the last record. And I was honestly thrilled about that,” they add. “The mantra when recording this record was just like, if I can’t record it well, I can record it in a way that’s cool. So at a certain point, I was just like, okay, I’ve got this song, how can I fuck it up?”\u003cbr\u003e\u003cbr\u003eThe spidery guitar line and skittish drums of “Soon” pretty nicely answer that question; grimy, warped, sharp-edged, but a kind of prettiness and whimsy somewhere in there too. Roth’s vocal melodies across this album are lovely, but also sound like they’ve been dragged through dirt. “Perfect Detail” is a ballad that gets ever more corrupted by gargling, grating synths. “Needs” is a somewhat manic ditty with a lurching, uncertain tempo. For the album’s sound Roth was going for somewhere between the Flaming Lips, the Magnetic Fields, and Neutral Milk Hotel; songwriting that’s poignant and weird, sweet and gritty, in equal measure. “I feel like I second-guess myself a lot with music in general; and with this album, there was a very conscious effort on my part to not do that, and to just trust my instincts,” they say. “Even if it’s weird or not how a song should sound, just embracing that and letting it be what it is.”\u003cbr\u003e\u003cbr\u003e“Anymore” is the album’s conclusion; it begins acoustic and pretty, a high synth singing in the background like some kind of heavenly presence. 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All unknown country 45s from rust belt cities around the great lakes.\u003c\/p\u003e","brand":"Dollar Country","offers":[{"title":"CD","offer_id":55731550847318,"sku":"MRM-08710","price":11.99,"currency_code":"GBP","in_stock":false},{"title":"Cassette tape","offer_id":55731550880086,"sku":"MRM-08711","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/Screenshot-2026-10-13-at-14.17.23.png?v=1791905386"}],"url":"https:\/\/monorailmusic.com\/collections\/cassettes.oembed?page=2","provider":"Monorail Music","version":"1.0","type":"link"}