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In freeform dialogue between voice and instrument, they create a meditation on tragedy, wonder, and the restorative power of shared experience.\u003cbr\u003e\u003cbr\u003eThe duo, often joined by Spencer, also explored the city, sharing meals and visiting museums and landmarks, each encounter leaving an impression on their next session. The experience allowed them to work intimately with rare instruments, blending their personal sensibilities with centuries of history, resulting in music that honors the past while remaining a deeply authentic expression of the present.\u003cbr\u003e\u003cbr\u003eThroughout \u003cem\u003eTragic Magic\u003c\/em\u003e, Barwick and Lattimore find something beyond themselves: a sense that while everything may not be okay, beauty persists. 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The process of composing a little death felt like a homecoming for rousay after the more pop-oriented song forms of 2024’s \u003cem\u003esentiment\u003c\/em\u003e. \u003cbr\u003e\u003cbr\u003e“\u003cem\u003esentiment \u003c\/em\u003ewas a different way of working that helped refresh my music making habits and usual flow,” Rousay notes. “This record is a return to what I see as my core solo practice, a re-dedication to those methods of working which I’ve found most align with what I envision my music or sound to be.”\u003c\/p\u003e","brand":"THRILL JOCKEY","offers":[{"title":"\"Sunflare\" LP","offer_id":53021419372886,"sku":"MRM-00676","price":34.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/46bea3aca4b6beac58578966f12bac21.jpg?v=1775189426"},{"product_id":"cogan-ora-hard-hearted-woman","title":"Cogan, Ora - Hard Hearted Woman","description":"\u003cp\u003e\u003cem\u003eHard Hearted Woman\u003c\/em\u003e is Ora Cogan’s debut on Sacred Bones, blending haunted folk, psych rock, and shadowy country into an intimate, cathartic sound. \u003cbr\u003e\u003cbr\u003eWritten in Nanaimo, B.C., and recorded with collaborators from country and experimental scenes, the album reflects resilience and tenderness amid a hardening world. 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Sitting in the garden surrounded by trees and plants on a sunny day, the idea of organisms using sunlight to synthesise nutrients from CO2 and water became an inspiration to us. This idea, juxtaposed with mankind’s destruction of the planet through pollution and war gave us the inspiration to compose this soundscape”.Dave Ball (Soft Cell, The Grid) and Jon Savage. \"Moody, dark ambience\" (*Most Wanted*, Record Collector)","brand":"COLD SPRING","offers":[{"title":"CD","offer_id":53021427466582,"sku":"MRM-00818","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/e29764c4313d3c332c5bfbc080b032c7.jpg?v=1775190277"},{"product_id":"david-boulter-tindersticks-whitby","title":"David Boulter (Tindersticks) - Whitby","description":"\u003cp\u003eAn evocative mini album inspired by the stark beauty and unsettling calm of England’s North Yorkshire coast. Unlike the familiar seaside towns of his youth - Great Yarmouth, Scarborough, Filey - Whitby held no particular memories for Boulter until he visited with his family in the summer of 2024.\"I’m constantly inspired by my surroundings, or memories of them,\" he says.\"Sat on an almost deserted beach, halfway between Whitby and Sandsend, it really hit me. The absolute beauty - and how alien it seemed. It was quite a stormy day: grey skies coming in off the North Sea, sun breaking through. The way the light hit the rocks, scattered across the beach; the waves crashing. Walking up to the ruined Abbey at sunset, again almost deserted. I imagined human life disappeared.\" \u003cbr\u003eThat sense of stillness and natural drama became the emotional core of the album.\"At a time when it seems we are pushing our planet to the edge, and the wars we rage continue, I felt such calm and connection to the landscape - and how simple beauty can be. The whale bones on the hill reminded me how we always take so much. But we can change.\" \u003cbr\u003eAs with much of his work, Boulter began composing in response to these experiences. On 'Whitby', the music takes on a more organic quality than his previous releases. While he initially made field recordings of the environment, he later chose to reinterpret them musically - using instrumentation to evoke the atmosphere of the coast: sitting on the beach, walking up by the Abbey, tracing the path of the old Cinder Track railway line.\u003cbr\u003eThe result is a quietly powerful musical meditation on history, landscape, and the enduring presence of nature. \u003c\/p\u003e","brand":"CLAY PIPE MUSIC","offers":[{"title":"CD EP","offer_id":53021428580694,"sku":"MRM-00827","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/2513a2f0114085a8c01f433c1b644f57.jpg?v=1775190340"},{"product_id":"del-tha-funkee-homosapien-wish-my-brother-george-was-here","title":"Del Tha Funkee Homosapien - Wish My Brother George Was Here","description":"","brand":"MUSIC ON VINYL","offers":[{"title":"LP","offer_id":53021430284630,"sku":"MRM-00865","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/6eb0b8d74efdd0b70da2d95fa9a8e7c9.jpg?v=1775190552"},{"product_id":"duncan-marquiss-the-phantom-band-wires-turned-sideways-in-time","title":"Duncan Marquiss (The Phantom Band) - Wires Turned Sideways In Time","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eExperimental electronic guitar manipulations intertwine with wandering acoustic ambience. 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Their painstakingly engineered improvisations were equally meticulously reassembled in a series of intense editing sessions.\u003c\/p\u003e","brand":"LEITER","offers":[{"title":"Limited Black LP","offer_id":53021445030230,"sku":"MRM-01059","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/96ae12028258ef35fb193b4ea6979f32.png?v=1775191614"},{"product_id":"fennesz-black-sea-2022-reissue","title":"Fennesz - Black Sea (2022 Reissue)","description":"","brand":"TOUCH","offers":[{"title":"2 X 10\"","offer_id":53021447717206,"sku":"MRM-01098","price":27.99,"currency_code":"GBP","in_stock":true}]},{"product_id":"field-lines-cartographer-resplendent-in-the-light-of-the-universe","title":"Field Lines Cartographer - Resplendent In The Light Of The Universe","description":"The second solo album on the DiN imprint from UK synthesist, Mark Burford, sees him venturing even further out into the cosmic void with an hour long suite of modular explorations. The music on this album flows seamlessly from one track to the next. Burford has been establishing a fine reputation both as a live performer and with releases on several labels such as Castles In Space, Quiet Details and Woodford Halse. His musicality and deft touch are certainly at the fore on the beautifully named ‘Resplendent In The Light Of The Universe’. Using a range of analogue modular instruments as well as an array of digital effects Burford weaves music for a deep contemplation of questions alluding to the underlying nature of the cosmos. The eight tracks have such an organic feel and swell and grow like nebulae. With reference to the albums title they have an inner light which shines through the swirling clouds of texture. At times, he ventures into Berlin School sequencer territory, especially in tracks such as ‘Various Rotations’ and ‘The Light of Billion Stars’, but it’s never a slavish pastiche of this idiom but rather his own musical voice finding form in this particular style. Elsewhere pieces such as ‘Forever Spheres’ and ‘Gentle Flows’, which bookend the album, are particularly redolent of, in his own words, “the splendour of the luminous universe”. This new release from Field Lines Cartographer is another fine addition to the DiN canon and takes the labels musical roots forward to a bright future.","brand":"DIN","offers":[{"title":"Cd","offer_id":53021448077654,"sku":"MRM-01105","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/1e5770d195692261e99c021f65df2532.jpg?v=1775191873"},{"product_id":"gastr-del-sol-upgrade-and-afterlife-2025-reissue","title":"Gastr Del Sol - Upgrade And Afterlife (2025 Reissue)","description":"Way back when, ‘Upgrade \u0026amp; Afterlife’ was the umpteenth release\nfrom the individual and collective forces of David Grubbs (known then\nfor Bastro, The Red Krayola, Codeine, Squirrel Bait) and Jim\nO’Rourke, whose further history has since numbered at least another\numpteen or so essential listens. Opening at their most incandescently impressionistic, ‘Our Exquisite\nReplica of “Eternity”’ has no precedent in the Gastrlog, and few in\nmost others, either. ‘Rebecca Sylvester’ uses vocal harmonies to\nsharpen their singular, gamelan tone poem song form into something\nresembling a pop reverie at the finish. With undeniable (albeit\noblique) comedy, ‘The Sea Incertain’ comments upon Crookt, Crackt,\nor Fly’s ‘The C in Cake’, with the presence of cracked electronics\nhere and elsewhere taking a more forward position.\nThe stentorian chamber piano sound introduced on ‘Mirror Repair’ is\nstill in full effect throughout ‘Upgrade \u0026amp; Afterlife’, but the bluesy\nrattling of finger style acoustic has the last word, with a tranced-out\nreading of John Fahey’s version of ‘Dry Bones In The Valley’,\nweaving guitar, piano and Tony Conrad’s trademark droning violin\ntogether to close the proceedings with an ingenious, slow-acting\nbang. A delightful result, to our way of thinking, of the band’s ability to push\nat the far boundaries of their music while consolidating upon pleasure\npoints within sounds and songs. Gastr used these polarities to\ncompulsively draw the listener intimately close with sudden injections\nof g-force and an uncanny interpolation of space.","brand":"DRAG CITY","offers":[{"title":"LP","offer_id":53021456204118,"sku":"MRM-01239","price":43.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/7285a3b48c6219ab9d033bc69e4b372a.jpg?v=1775192568"},{"product_id":"gebru-emahoy-tsege-mariam-church-of-kidane-mehret-2025-reissue","title":"Gebru, Emahoy Tsege Mariam - Church Of Kidane Mehret (2025 Reissue)","description":"","brand":"MISSISSIPPI","offers":[{"title":"Limited Indies Only Clear LP In Tip-On Sleeve + 12pp Booklet","offer_id":53021456400726,"sku":"MRM-01243","price":32.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":53021456433494,"sku":"MRM-01244","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/38a70721e924f828c9093f2a336144d2_b308bdce-aab9-43b1-8ba3-27f34800ee5b.jpg?v=1775192597"},{"product_id":"gordon-chapman-fox-warrington-runcorn-new-town-development-plan-very-quiet-music-to-be-played-very-loudly","title":"Gordon Chapman-Fox (Warrington-Runcorn New Town Development Plan) - Very Quiet Music To Be Played Very Loudly","description":"Gordon Chapman-Fox presents us with an album of cinematic ambient music, stepping away from his usual analogue synthesiser tones.\n“I wanted to stretch my legs and create something more long form, organic and immersive than my Warrington-Runcorn persona” says Gordon. “I hope the title speaks for itself. This is ambient music, but it's not background music. This is very much for the foreground. To be played loudly and to lose yourself in this world of sound.”\nThe four tracks on offer present a different side to Gordon’s skills, the tracks are stripped of the usual soaring melodies and arpeggios of Warrington-Runcorn, but maintain the oppressive melancholy through tones and textures.\n“There’s quite substantial use of orchestral sound libraries on this” says Gordon. “I wanted to hear the sound of a bow scraping across a cello or the breath of a choir. 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Everything that forms will un-form. Everything that comes together will disperse. Everything that lives will die. Every moment is over as it passes. Every end contains a beginning. Sugar the Bruise, out from Fat Possum Records on June 16, doesn’t shy away from these truths. It dives into the heart of them.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn August 2021, nearly 2 years before Sugar the Bruise’s creation, Duffy taught a month-long songwriting class through School of Song. They created a container for both new and experienced songwriters, designing prompts to help participants play with new approaches and forms. They re-discovered, with newfound clarity, the generative capacity of embracing the unknown, and how essential collaboration and improvisation are for accessing the indescribable.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAfter three beloved, meticulously written albums – 2017’s Wildly Idle (Humble Before the Void), 2019’s Placeholder, and 2021’s Fun House – Duffy offered themself up for a 10-day writing trip. Working alongside Luke Temple (Here We Go Magic, Art Feynman) and in the final hours Philip Weinrobe (Adrienne Lenker, Cass\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eMcCombs, Lonnie Holly), at Panoramic Studios in Stinson Beach, CA, Duffy surrendered to the present moment, trusting that whatever sounds and words emerged were meant to emerge. With additional production, engineering and arranging from Jeremy Harris, Duffy created something which, in their words, “Turned out nothing like I’d imagined it would.”\u003cbr\u003e\u003cbr\u003eThe result of this collective experiment, born equally from play and intention, is a radical gift for listeners: proof that our most vital processes, creation and destruction, are exquisitely entangled. The unanswerable and untenable suffering of experience is the fact of perpetual loss. And, yet, there is precious, vivid magic created by this condition. In Sugar the Bruise, grief folds in on itself and becomes laughter; language fades away into sonic expanses of the inexpressible; melodies melt into cacophonies; love songs surrender to loss; historic violence is supplanted by the disks of sunlight.\u003c\/span\u003e\u003c\/p\u003e","brand":"FAT POSSUM","offers":[{"title":"CD EP","offer_id":53021478289750,"sku":"MRM-01387","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/860c37182ff31fe7e7d749d87db15d4c.jpg?v=1775193442"},{"product_id":"hatis-noit-aura-reworks","title":"Hatis Noit - Aura Reworks","description":"\u003cp\u003eThis release reimagines her 2022 debut album, 'Aura', by legendary artists and collaborators, including the godfather of ambience, Laraaji, hip hop duo, Armand Hammer, composers and electronic experimentalists, Jlin, Alex Somers, William Basinski, Emel, Matthew Herbert and Yu Su. \u003cbr\u003e \u003cbr\u003e'Aura Reworks' opens with a transcendental reinterpretation of the title track “Aura” by laughter meditation practitioner, mystic, and “ambient godfather” Laraaji. Hatis’ haunting vocals whir and groan in conversation with Laraaji’s bouncing hums, over open-tuned zither, kalimba, and timbrels. The soft organic percussion is replaced by thumping, shamanic kick drum on “Thor”, reworked by DJ and producer Matthew Herbert. The track is a playful, primal devotion, evoking a bonfire-lit ritual in the centre of a dancefloor. Matthew Herbert describes the track as an “auditory hallucination where more modern techniques merged with ancient-sounding voices.”. Preservation’s rework of “Jomon” combines Hatis Noit’s powerful cries that evoke Japan’s prehistoric Jomon period with slow, considered vocals by cult New York rap duo Armand Hammer over a minimalist drum loop.  The result is a bold call to arms, bridging thousands of years. \u003cbr\u003e \u003cbr\u003eAlex Somers’ haunting reimagination of “Angelus Novus” splinters Hatis’ heavy vocals, transforming them into glitchy ASMR-effect blips that bounce in intensity before a brutal, heartbreaking passage, forcing the listener to stop and breathe. As Somers’ track fades, Hatis’ long, soft hums continue into the most contemplative track, “Inori”, reworked by avant-garde composer William Basinski, introduces a delicate piano to the track. “Inori” features a field recording of the ocean only one kilometre away from the nuclear power plant in Fukushima, destroyed by the 2011 earthquake and tsunami. Hatis Noit had been invited there for a memorial ceremony which marked the re-opening of the area for local people to return to their homes. The emotive and compassionate song is dedicated to the lives lost due to 2011’s tsunami, but equally to the memories people have of their hometown. 'Aura Reworks' closes with “Sir Etok” a haunting track reworked by Emel, whose own voice enters into dialogue with Hatis’, mixing Arabic with her wordless sounds to create new dimensions. \u003c\/p\u003e","brand":"ERASED TAPES","offers":[{"title":"Limited Translucent LP","offer_id":53021479305558,"sku":"MRM-01398","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/6088\/9430\/files\/4212830c5467d0655d978414f80e7d7a.png?v=1775193514"},{"product_id":"held-by-trees-hinterland","title":"Held By Trees - Hinterland","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“Hinterland” is the second LP by Held By Trees, taking in elements of jazz, post-rock, and ambient music and will be released on CD\/Vinyl (and digital download only on Bandcamp) on Friday 4th April, 2025 on Tweed Jacket Music Ltd and Lasgo Records Distribution. The follow-up to 2022’s critically acclaimed debut, ‘Solace’, this new eight-piece album is a sonic journey through ambiguous spaces, within and without.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOnce again, Held By Trees – helmed by composer\/producer David Joseph - brings together living DNA from its chief influence, the latter work of Mark Hollis with Talk Talk, and as a solo artist. This includes this time his son Charlie Hollis who plays piano on four of the tracks. Returning Talk Talk\/Hollis veterans are Robbie McIntosh on guitar, Laurence Pendrous on piano, Andy Panayi on flute, clarinet and saxophone (who are each member of the live HBT band), plus Martin Ditcham on drums\/percussion and Simon Edwards on double bass.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOther notable contributors to the album include: Rob Coombes (Supergrass) on Hammond Organ, Stephen Gilchrist (Stephen Evens, Graham Coxon) on drums, Simone Marie Butler (Primal Scream, Jesus \u0026amp; Mary Chain) on synths and sound effects, Matt Simms (Wire, It Hugs Back) on guitar, Norman Westberg (Swans) on guitar\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e, Robert Poss (Band of Susans, Phil Niblock) on guitar, Simon Scott (Slowdive) with field recordings, Mark Simnett (Bark Psychosis) on drums and percussion, Jen Macro (My Bloody Valentine, Hurtling, Graham Coxon) on guitar, Chris Pedley (The Baker Brothers) on bass. 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